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A Yanomami shaman performing a ritual the state of Amazonas, Brazil, in 2014.
Rich and startling journey … Sebastião Salgado’s photograph of a Yanomami shaman performing a ritual in the state of Amazonas, Brazil, in 2014. Photograph: Sebastião Salgado/nbpictures
Rich and startling journey … Sebastião Salgado’s photograph of a Yanomami shaman performing a ritual in the state of Amazonas, Brazil, in 2014. Photograph: Sebastião Salgado/nbpictures

Into paradise with Sebastião Salgado and fresh sensations at the Tate – the week in art

This article is more than 2 years old

The Brazilian genius tours the rainforest, Anicki Yi fires up the Turbine Hall and cubism heads for the gutter – all in your weekly dispatch

Exhibition of the week

Salgado: Amazônia
The great photographer Sebastião Salgado unveils his most moving project yet – a rich and startling journey into the rainforest he calls “a paradise on Earth”.
Science Museum, London, 13 October to March 2022.

Also showing

Anicka Yi
A multisensory experience is promised by the Tate’s latest attempt to fill the Turbine Hall with the perfume of the new.
Tate Modern Turbine Hall, 12 October to 16 January.

Frieze London and Frieze Masters
A sure sign of the art world getting back to normal is the return of this vast art fair as a physical reality, filling two futuristic tents as in the halcyon pre-pandemic days.
Regent’s Park, London, 13-17 October.

Dislocations: Territories, Landscapes and Other Spaces
Charlotte Prodger, Carol Rhodes and Andy Goldsworthy are among the artists taking a fresh look at landscape in this survey of contemporary visions of nature.
Hunterian Art Gallery, Glasgow, until 5 December.

The Day They All Got Out, 2021, by George Condo. Photograph: George Condo, courtesy the artist and Hauser & Wirth

George Condo: Ideals of the Unfound Truth
Picasso collapses into the gutter in Condo’s depraved and decayed take on cubist painting.
Hauser and Wirth, London, 13 October to 23 December.

Image of the week

The family of Henrietta Lacks and artist Helen Wilson-Roe (second left) at the unveiling in Bristol of a statue on the 70th anniversary of Lacks’s death. Photograph: Ben Birchall/PA

The first public statue of a black woman by a black female UK artist
There were tears of joy and pride as the first statue of a black woman created by a black woman for a public space in the UK was unveiled in a sunlit garden at the University of Bristol on 4 October. Three generations of of Henrietta Lacks’s family travelled from the US for the unveiling of the bronze statue of her, sculpted by the Bristol artist and campaigner Helen Wilson-Roe.

What we learned

Christo’s Abu Dhabi Mastaba will be the world’s largest artwork

Anish Kapoor explained his Freudian fascination with vaginas

Shilpa Gupta’s new show is a rousing salute to free speech

Anicka Yi may spring an olfactory surprise on Tate’s Turbine Hall

Pandora papers shed light on the murky world of antiquities dealing

The UK’s oldest synagogue has won the first stage of its battle against plans for skyscrapers nearby

Van Gogh’s sketches for The Potato Eaters are on show for the first time

Poussin was not the sombre prude some imagined

Alvaro Barrington’s work captures a modern storm

… but Hervé Télémaque’s seems out of date

Jill Freedman went on the beat with the NYPD

… while Martin Parr went off to the tennis

Kikuji Kawada’s haunting Hiroshima photobook is being reproduced

Kashmir’s papier-mache artists fear their art is in decline

Pablo Bronstein’s vision of hell is a place of architectural excess

NFTs have pushed contemporary art sales to a record high

Film-maker Paul Sng explored Britishness

Armagh City, Bradford and Stirling are among places for the next UK city of culture

Designers proposed alternative artwork for Nirvana’s Nevermind

Mark Rothko’s son revealed how the artist found light in his darkest days

Swedish architect Sigurd Lewerentz achieved beauty in solemnity

Torkwase Dyson is fascinated by water

Cricket was revealed as an unlikely art form

Jim Naughton creates wildlife fantasias

Ted Lau peeked behind North Korea’s curtain

while Raúl Cañibano has photographed Cuba for 30 years

Australian aerial photographer Brad Walls seeks poise amid the pandemic

A mysterious 15th-century tapestry has got a clean start

and ancient Khmer sculptures were returned to Cambodia

Clovis Salmon filmed Brixton ablaze

… and a divisive housing block there was reassessed at 40

The Female in Focus awards celebrate women’s photography and spirit

… while street photographer Helen Levitt receives long-overdue attention

… and Tamara Dean is focusing on who she’d like to be

Michael von Graffenried’s best photograph captures a country in denial

Cumbria’s West Coast photo festival will unite young and established talent

Australian and Afghan artists are responding to the war in Afghanistan

Convicted murderer Donny Johnson found escape through art

Ballet dancer Colin Jones had a photojournalist’s eye

Edvard Munch’s Madonna once struck a different pose

New wave bands struck a fresh chord in poster art

The surf’s been up in Australia for a long time

The winners of the Royal Society of Biology photography competition were announced

A worthy Turner prize could push the public away

We remembered art critic Mel Gooding

Masterpiece of the week

Photograph: Heritage Image Partnership Ltd/Alamy

Juan de Zurbarán: Still Life with Lemons in a Wicker Basket, c 1643-49
The citrus tang of life is glowingly preserved in this basket stuffed with bright, knobbly lemons. One is cut to reveal its interior. Sevillean artist Zurbarán – like his fellow southern Spanish painter Picasso centuries later – isn’t satisfied to show the surface of things but wants to expose their insides, too. To heighten the sensual presence of his roughly textured, sun-yellow fruits he sets them against an arrangement of flowers in darker, more nocturnal hues. He has a keen eye – but then he had a great teacher. Young Juan learned to paint from his father, the mystical artist Francisco de Zurbarán. He was still in his 20s when he created this powerful work. But his career was almost over. In 1649, he died along with half Seville’s population in an outbreak of plague.
National Gallery, London.

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